DJ5150 Blog Spot

Tuesday, June 21, 2005

Sequence 2005

Pressure Point Productions & HiPoint Entertainment Present...

:: SEQUENCE // FIVE ::
Saturday, July 16th 2005


5th Annual Summer Outdoor Music Festival

Outdoors Rain or Shine
Near Salt Lake City!
















5th Annual Summer Outdoor Music Festival

Outdoors Rain or Shine
Near Salt Lake City!


With performances by...
MONK (of Rabbit in the Moon)
www.djmonk.com | www.hallucination.com
Hallucination Recordings | Tampa, FL
From small dark clubs to massive outdoor festivals, always turning it out - it is here where you.
the subterranean public may encounter The Monk... the Mack-of-all-trades dj/producer/artist and
overall hustler of culture. Banging out a soundtrack of underground party music that jumps from
hard house and breaks to slamming disco-tech, and twisted techno, to drum and bass rinse-outs,
the dreadlocked Monk punishes the crossfader as he works one record against another in a style
that owes more to hip hop than to conventional club DJ'ing.

As one of the Founders of Rabbit in the Moon, Pimp Juice and Hallucination Records, Monk is a
corner stone of the Southeastern U.S. Scene and has established himself as a devoted player in
the Electronic Music Industry worldwide. Best known for his early work and collaboration with
confusion int he collective "Rabbit in the Moon" and as the opening DJ to the RITM live show for
over a decade ('92-'02), Monk is breaking new ground with several new innovative audio-visual
projects. Now establishing a solo career and running Hallucination full time, Monk keeps busy
remixing world renowned artists like Sting, Limp Bizkit, and Britney Spears. Constantly in
demand, his remixes are taking the Billboard Dance / Club Play charts by storm, and charting in
BILLBOARDS' TOP TEN most recently with Cooler Kids "Punk Debutante", Boomkat's "The Wreckoning",
and T.A.T.U.'s "All The Things She Said."

One of the most versatile DJ's around, Monk is known for his unique DJ sets ranging from his
traditional hardbanging house -vs- funk breaks style with a touch of drum & bass & hip0hop, to
a deeper "Dark Side of the Monk" set that leans toward a darker tech-house meets tribal & disco
house style. If Monk can't make yo' booty move, yo' booty must be dead. Voted in BPM magazine as
receiving the "most fan email nominations" in the country and one of Americas Favorite DJs
- March 2003, Monk has forged his place int he underground dance community. A forefather of the
Hallucination-Generation, orginator, innovator, guaranteed to rock the party, Monk continues to
freak the funk week in and week out headlinging shows across the nation.

ELEMENT
Modified Productions | San Francisco, CA
Well known as a forefather of the Utah Underground Culture for his many one-off events under his
various production companies Earcandy, Paradigm Shift and the founder of UTRave.org. Responsible
for the local TRANCENATION movement and some of Utah's best underground events. Element pushes the
envelope with his new sound of progressive house & trance with a remarkable precision that rivals
the sounds of the world's greatest DJ's.

DIGGABEATZ vs. STEEZO
HiPoint Recordings | Guerrilla Tactics | Fader Freekz

JOHNNY LAW
Hi8us Recordings

LOKI
Uprok Records

THE BREAKBEAT ELITE * 3 Person Live Performance *
Jumpin' Unlimited | HiPoint Recordings | Fader Freekz

DRUMLOJIK
HiPoint Recordings | Drumlojik Recordings

KOPPERTOP
ETN.fm | Prototech R.D.

BRAIN
Mechanized Records


2nd stage

Sighanyde

Psyonix

Namaste'

Insideus

Forty Oz

DJ 51/50

Mizz Nici

Tink




· Massive Wall of Sound by Euphoric Beats
· Live Video Mixing by Hallucination on Film
· Multiple Massive Projection Screens
· Possible Fireworks Display (?)
· Spectacular Outdoor Laser Show
· Intelligent Lighting & Effects
· Burning Man Style Bonfire
· Private Outdoor Location
· Free Onsite Camping

Tickets Available Starting Friday, July 1st @ Uprok & Mechanized.
Ticket Outlets in other regions TBA soon!

$10 Limited Presale, Saturday, June 25th only while they last!
$15 Advanced Presale, Available only until Sunday, July 10th
$20 Regular Presale, Available Week of event until day of
$25 Day Of Pricing, at ticket outlets and at the gate

Maps to the location will be available day of only and map points may be in effect.
Please car pool and plan to camp! No campfires or stoves please!

ALL AGES EVENT | ABSOLUTELY NO DRUGS OR ALCOHOL PERMITTED!
LICENSED SECURITY & EMT'S WILL BE ON-SITE FOR YOUR SAFETY!



For Utah DJ Techno Downloads, mp3 mixes, and electronic music news articles, Cick Here

Sign DJ51/50's Guest Book here

Vote for
5150 @ The DJ List!

Monday, June 20, 2005

DJ51/50 DJ of the Day

DJ51/50's DJ of the day, a posting about a DJ people should know more about, who has influenced the electronic music world, or who have notable productions or mixes.
No better place to start than with Adam Freeland, the master of Nu Skool breakbeats, and my personal favorite DJ/Producer.



The DJ List - ADAM FREELAND:






Like James Lavelle of Mo' Wax Records, Freeland rose to prominence as a dance music w�nderkind, becoming a highly successful, DJ, remixer, club promoter and record label boss while still in his early twenties. In 1998, the UK's DJ magazine's reader's poll of the world's Top 100 DJs ranked him at number 34. Originally a deep house DJ, Freeland became known for seamlessly blending hip-hop and electro into his sets. He pioneered 'nu-school breaks' - breakbeats with an eclectic range of influences including techno, drum 'n' bass and world music. Although DJing on the London club scene from 1992, his first mix compilation, Coastal Breaks, was not released until 1996. A double CD comprising 32 tracks, it received high praise from the critics and raised Freeland's profile, enabling him to tour in the UK and the USA. He won the admiration of many respected UK DJs such as Carl Cox, Sasha, the Chemical Brothers and Andy Weatherall. He supported Cox on several dates of his F.A.C.T. 2 world tour.

In 1997, he ran a successful night, 'Friction', in Soho, London with DJ friends, Rennie Pilgrem and Tayo. In that year, he also released a single with his friend Kevin Beber, 'Number 43 With Steamed Rice Please' under the name Tsunami One. The popularity of the track in the clubs led to remix work for the Orb, DeeJay Punk-Roc, Headrillaz and Orbital. Freeland began 1998 by touring Australia with DJ Krush, Pressure Drop and Jos� Padilla. Coastal Breaks 2 was released and was a critical and commercial success. With his determination to innovate and experiment, the master of 'nu-school breaks' is being tipped by many dance journalists as the next DJ superstar.
"
For Utah DJ techno downloads click here
For full length breakbeat downloads click here
For more about electronic music click here
Download DJ51/50's newest Mix "Break the Silence"

More about Podcasting

What is Podcasting?: What is Podcasting
Podcasting is quickly becoming a buzz word among the techie crowd. So what is podcasting, anyway? Podcasting is online audio content that is delivered via an RSS feed. Many people liken podcasting to radio on demand. However, in reality, podcasting gives far more options in terms of content and programming than radio does. In addition, with Podcasting, listeners can determine the time and the place, meaning they decide what programming they want to receive and when they want to listen to it.

Listeners can retain audio archives to listen to at their leisure. While blogs have turned many bloggers into journalists, podcasting has the potential to turn podcasters into radio personalities.

Podcasting can be used for:

1. Self-Guided Walking Tours - Informational content.

2. Music - Band promotional clips and interviews.

3. Talk Shows - Industry or organizational news, investor news, sportscasts, news coverage and commentaries.

4. Training - Instructional informational materials.

5. Story - Story telling for children or the visually-impaired.

Podcasting is the syndication of audio files using RSS. Podcasting works the same as a standard RSS feed reader or news aggregator, the only difference is that the feed you subscribe to contains an audio file in it. Instead of reading content in your RSS feed reader or aggregator, you can listen to the contents of your feed using a reader or aggregator that supports podcasting, or you can listen to them on an iPod or similar device. While podcasting was named for the iPod, you do not have to have an iPod to listen to a podcast. Podcasts can be displayed on websites with clickable links to audio files and many of the standard RSS readers, like FeedDemon's latest beta, have begun supporting audio enclosures.

The audio file that makes the feed a podcast rather than a standard RSS feed is contained in the 'enclosure' tag. The easiest way to think of this is as an e-mail attachment.

Although the 'enclosure' tag is not new to RSS feeds and has been included in the RSS v2.0 specification for about four years, podcasting has only really been around since August of 2004.

Webmasters are finding creative ways to provide media-rich content. The syndication aspect and potential increase in audience size are an attractive lure. Listeners benefit from podcasting because, like RSS, podcasting is a means to publish content that ultimately gives the recipient the control over the information they want to see or hear.

Podcasting Resources -

Podcasting Tools - http://www.podcasting-tools.com
Podcast Alley - http://www.podcastalley.com
PodcastBunker - http://www.podcastbunker.com
Podcasting News - http://www.podcastingnews.com

It will be interesting to see how this publishing medium develops. Currently, only the technical crowd has endorsed podcasting as a new audio medium, but the potential is real and the process is not overly complex. With a little time I think this field will develop and prosper.

About the Author:
Sharon Housley manages marketing for FeedForAll http://www.feedforall.com software for creating, editing, publishing RSS feeds and podcasts. In addition Sharon manages marketing for NotePage http://www.notepage.net a wireless text messaging software company.



For more articles about technology and electronic music click here.

FOr free MP3 downlaods of DJ mix CDs Click here.

To join DJ5150's Mailing list click here.

Saturday, June 18, 2005

Danceformers!





ANIMATION PRODUCTIONS & SIN ENERGY PRODUCTIONS
PRESENT


DANCEFORMERS
DJ'S IN DISGUISE

JUNE 18TH.2005

THESE TWO COMPANIES ARE GONNA TAKE A CLASSICS
GOOD MEETS BAD STORY AND BRING IT RIGHT TO
SALT LAKES FRONT DOOR AND MAKE YOU DANCE
TILL YOUR BODY GOES NUMB


SIN ENERGY PRODUCTIONS IS TRANSFORMING IN TO THE ALL POWERFUL
SINOBOTS

TO BATTLE IT OUT WITH

THE UNSTOPPABLE FORCE OF ANIMATION PRODUCTIONS
ANICEPTICONS



THERE ARMIES STACK UP LIKE THIS





HEADLINING


DJ ANNNALYZE VS REIDSPEED
YES ANNALYZE AND REID SPEED ARE GOING TO LEAD THE CHARGE
AS THEY TOUCH DOWN IN SALT LAKE ON THERE
CAT SCRATCH FEVER TOUR


MICHAEL J
(SINENERGY)
.VS.
TINK
(ANIMATION)



PRESTO& PREMO
(EXILE/SINENERGY)
.VS.
SODIE
(P-FUNK)



G-MAN
(SINENERGY)
.VS.
MIZZNICI
(ANIMATION)




SLINGKY
(SINENERGY)
.VS.
KEEN
(ANIMATION)



THESE DJS WILL BATTLE BACK AND FORTH WITH ONE INTENT
TO MAKE YOU DANCE!!!!!!!!!

ALSO SHOW STOPPING PERFOMANCES
BY S.L.U.T. REPPIN ANIMATION & GHETTOSLIDER REPPIN SIN ENERGY

TIXS WILL BE SOLD AT MECHANIZED 200 S 511 W. & UPROK 465 STATE ST
THERE WILL BE ONLY 50 VIP TIXS @ $15.00
&
ONLY 50 $5.OO TIXS

$10.00 FROM THE DAY ON AND $15.00 AT THE DOOR

LIGHTING AND SOUND BY EXILE

Will have pictures up after tonight, for pictures, techno downlaods, and electronic music articles check out www.dj5150.com

How the Internet Helps Musicians

How the Internet Helps Musicians: "How the Internet Helps Musicians
By Scott Richards





Everyone talks about the negative impact of the Internet on the music business. Illegal file sharing and copyright violations have decimated the profits in the industry. Record labels are less willing to take risks with new artists because the profits have dried up. Sales have steadily declined over the past several years to in large part to the proliferation of illegal downloads. All of that is true, but there are two sides to this coin. Sure, things are tougher today for the new musician than ever before, but there are also new opportunities thanks to the Internet.

The Internet has reduced the barriers to entry into the music business. Today thanks to the rapid evolution in technology, a musician can record a song and share it with listeners around the world. In the past, distribution was controlled by the record labels. Unless you had a record deal it was almost impossible to reach listeners outside of your immediate area.

Distribution was not only controlled, but there was no way around the high costs of physical distribution. Manufacturing a batch of CDs or tapes could be prohibitively expensive for the starving artist. However, with free MP3 distribution via the internet, an artist’s music can reach across the world. An up and coming Latin diva can share her tunes with someone in Europe. The next rock star in Africa can share his music with someone in Japan. The Internet has opened a door that allows artists to share their art with anyone, anywhere, at any time.

Now with online retailers like Amazon, artists can even market and sell their music themselves. Sure it’s tough and don’t expect to make much money. But singers and bands can share and sell their music without depending on a record label in ways today that were impossible a decade ago.

The Internet helps people connect. Music is a deeply personal experience and people have their own preferences in what they listen to. The Internet lets people who prefer a particular style to group together easier and allows them to talk about new artists that they never would have had the chance to hear otherwise.

Now, don’t get me wrong. Music is a tough business. With declining sales and tighter profits it is harder for anyone to make a living in the music business. However, if you have a good day job and you love to make music for the sake of the music itself, then the Internet can be an incredible enabler.



Article Source: http://EzineArticles.com/

For more articles about technology and electronic music click here.

FOr free MP3 downlaods of DJ mix CDs Click here.

To join DJ5150's Mailing list click here.

Friday, June 17, 2005

DJ5150 "Break the Silence"






Here is a link to a download of my newst mix, "Break the Silence". A 64 miniute blend of Progressive, Nu Skool, and Vocal Breakbeats. Tracklist as follows:

Etostone "The Style"

Albino Allstars "Can you hear me"

Infiniti "You used to hold me"

The hives "Hate to say I told you"

Aquasky Feat Ragga Twins "Ready for this"

Platinum Mules "Work This"

Super Rhymes "Love is like a heart attack"

Aqusky VS MasterBlaster "Lords of Motion"

Rocker "Ego on fire"

The Funk-O-Bots "Surely Shot"

Lucky "Break the Silence"

For more MP3 full length Breabeat downloads check out DJ5150's Breakbeats page.

www.dj5150.com Mikey@dj5150.com

Exile Entertainment and Aural Fixations Blog!

Ayyy yea, Exile and AF have teamed up and set up a Blog to give you all the updates about the company, pictures, video, links. Check em out here.

DJ ANNALYZE and DJ SHORTEE





dancefloor on fire!


DJ Analyze of the twice as Nice tour comes to SLC this weekend with DJ ANNALYZE and REID SPEED! You may remember Anna from Amplified X2, amazing breakbeat junkie with mad turntablist skills. She is teaming up with another Bad Ass breakbeat queen, DJ SHORTEE! Take a look at thier site twiceasnicedjs.com, www.djshortee.com or www.djreidspeed.com they have free mixes for download, info, I highly reccomend downloading and listening to these mixes.

Here you can download and listen to thier intro, (right click, save as) if you get a chance to listen to any of Anna's mixes you will notice she has the sickest intros ever, and keeps the vibe jumping with her constantly mixing, scratching, and trickin it up. You may have seen Shortee when she came through with Faust and Shortyee on 4 dex, 2 Amazing female DJS comin to rock this town propa! Cant wait for Danceformers tommorow, you can click either picture above for DJs home page.

For pictures from last years Amplified party featuring Aphrodite, Annalyze, and Jen Lasher, you can visit my web site

Or click here for a list of several party pics from the Salt Lake City Area.

If you would like to fill up your Ipod with hours of DJ mixes for FREE click here

Stay tuned, after the party saturday I will have tons of pictures and maybe even some video, come out and support and get down and digital with Animation Productions and Exile Entertainment,

Much love, loyalty, and respekt

51/50 Exile Entertainment

www.dj5150.com, Free Techno Downloads and past event pics.
Mikey@dj5150.com












dancefloor on fire!

Wednesday, June 15, 2005

Building Your Digital Music Collection

Building Your Digital Music Collection


The previous two Tech Tips took a look at eight basic features of portable MP3 players worth considering before laying down some serious money on one of these devices. Once you have a nice new MP3 player with plenty of space for music, you need to fill it up! There are several ways to go about building your digital music collection, and we’ll take a look at a few ways to do so.

The first thing to address may be the term “MP3 player.” Many of these devices play MP3 files, in addition to a variety of other formats. Many of the files available for download are actually in a format other than MP3, but the term has been applied to cover this whole class of devices, whether it is 100% accurate or not.

Create Your Own

There are numerous software titles available that make creating MP3 files from CDs (or other sources) a simple process. Most involve minimal input from the user once they have configured their preferences, and will take the audio and convert it into the digital format of their choice. During the “ripping” process, most applications will query an online database, such as Gracenote (www.cddb.com), and take care of the file naming and ID tagging needed to make storing, sorting, and accessing the files a snap with most players.

Some of these applications may already be on your computer. Microsoft’s Windows Media Player (http://www.microsoft.com/windows/windowsmedia/mp10/default.aspx) is one program that any Windows user already has that is more than ready for basic WMA and MP3 file creation. Just drop in your CD and click “Rip”. Many other titles may have come bundled with hardware included with your system. For example, many optical drives ship with a copy of Ahead’s Nero (http://ww2.nero.com/us/index.html) or a suite of software from Roxio (http://www.roxio.com/en/index.jhtml). Either will handle the DVD or CD burning they were intended for, but also have decent MP3 creation modules, as well.

There are a multitude of free, or at least free-to-try, MP3 encoding software titles, and a trip to your favorite search engine may provide a list longer than you care to investigate. Some names worth checking out include EZ CD-DA (Digital Audio) Extractor (http://www.poikosoft.com/), EZ MP3 Creator (http://www.linasoft.com/ezmp3c.html), and Virtuosa (http://www.virtuosa.com/index.php).

The great thing about digital audio files acquired this way is that they are yours to use on whatever device you choose. The same can not be said about files obtained from either of the next two methods to be discussed. The files obtained from legitimate download services are protected by DRM (Digital Rights Management), which restricts the use of the downloaded files to a limited number of computers and compatible portable devices, as well as protecting the songs from redistribution by the end user. The files are yours to use, but not as freely as you may want, and perhaps for only as long as you maintain your account with the download service.

Pay Per Download

There are two main types of legitimate online sources of digital music… those that charge you for each download, and those that require you to subscribe to a service on a monthly basis. They offer the same types of files, but take different approaches to suit your budget and music needs.

Apple’s iTunes (http://www.apple.com/itunes/) may be the best known source for individual file downloads, thanks in no small part to the incredible popularity of the iPod MP3 player. What some may not know is that iTunes is not just for iPod owners, or Macintosh computer owners for that matter, but any PC compatible system can access the 99 cent downloads for use on their computer or compatible portable player.

Many other outlets offer digital music files for download, and even some mainstream brick-and-mortar stores have found their way onto the scene. Just as they have done with retail sales, Wal-Mart (http://www.walmart.com/music_downloads/introToServices.do) has managed to undercut the competition with their 88 cent music downloads.

Subscribe to a Service

Everyone is familiar with Napster (http://www.napster.com/) as one of the pioneers of file sharing, but they are back with a legitimate approach to music downloads. Although they do offer a program where you can download individual songs for 99 cents each, they offer monthly subscriptions for $14.95. This monthly fee allows for unlimited downloads, and could be the ticket for someone looking to keep their play list fresh on a regular basis. One caveat to this otherwise good solution is that the number of MP3 players supported is currently very limited. Also, once your subscription lapses, so does the ability to “access” your music. Basically, you are renting the songs.

Other subscription-based services are available, such as the one from eMusic (http://www.emusic.com/) that charges a monthly fee, but restricts the number of downloads permitted every month.

Choosing between a service that charges for every download or one that charges a flat monthly fee will most likely be determined by the volume of downloads one intends. If you only want a handful of songs every few months, it may be worth it to pay per song. But, if you intend to amass the ultimate collection of music ever known to man, subscribing to a service on a monthly basis is obviously more practical.

Go Underground

Whether through first-hand experience, or from the massive media attention, most people are well aware of other file sharing resources available on the Internet that can be used for acquiring MP3 files. Although the files are free, and users may feel they are operating anonymously, it may not be a safe means of acquiring media.

There are the obvious legal implications, as the RIAA has prosecuted file sharers for copyright violation (http://www.internetnews.com/bus-news/article.php/3497246), but there are other issues, as well. The integrity of the files being downloaded is not guaranteed, and people may wait patiently for a song to download only to find it is of poor quality, incomplete, or even worse… carrying a virus or trojan.

So, there are other pools of digital music, but swim at your own risk!

Final Words

Filling your new MP3 player doesn’t have to cost anything except the time it takes to encode the songs from your favorite CDs. But, paying for a download service is a sure way to have the songs you want as they become available and at a fairly reasonable price. These aren’t your only options for acquiring digital music, but when taking other routes, proceed with caution.

Jason Kohrs
MP3Tips
How to buy a MP3 player
and MP3 Tips.

Article Source: http://EzineArticles.com/

For more articles relating to Techno Downloads, Electronic Music, DJing, Turntablism, and internet radio, check out the Articles page at www.dj5150.com.

What is Podcasting?

Podcasts - Personal Radio For the Masses

Podcasts are literally ways the ordinary average person can have their own broadcast media. What makes Podcasts different from other types of audio content is the users must use RSS protocol. However, it also allows you to produce and create your own self-published radio-type shows.

Several radio stations use Podcasts either as their entire format or as part of their format. These stations include KYOU Radio in San Francisco, 99.5 The Mountain in Denver, and KFI in Los Angeles. Of course, the Internet provides listings for where Podcasts can be found as well. At www.Podcasts.net, you'll find a list that is based on any topic you're interested in. This includes entertainment, politics, arts, science and nature, business, lifestyle and shopping, with many of the categories broken down into more specific categories.

If you don't have an iPod, you may wonder why you would even want to find Podcasts. The term Podcasts doesn't mean a person has to use an Apple iPod. Podcast, though, is a term merged from the words iPod and broadcast. Any digital audio player or computer with the proper software can be used to listen to or create Podcasts. But, users must have "Podcatching" software, also known as "aggregator" software, to be able to listen to Podcasts.

Those wanting to either listen to or make their own Podcasts will need something called iPodderx. This is nothing more than a newsreader that can interpret RSS 2.0 feeds. While the iPodderx allows for listening to Podcasts, it is also needed to help with the broadcast side as well. Other Podcasting products available, as shown on www.alesis.com, include the 10/2 2-channel portable audio interface. This is a 24-bit /96k USB product. The Photon X49 is a keyboard controller, as is the Fusion 6HD and 8HD. The MultiMix Mixers are used to mix sounds for the Podcasts. M1 Active 520 and 620 nearfield reference monitors are also available. However, be ready to spend some serious cash if you're planning on doing any major Podcasts.

Podcasts can be broadcasted world wide, adding an even broader base to the places you can find Podcasts. A couple of the global Podcast sites, according to www.wickmedia.com, are CBC Radio One out of Canada, Triple J Podcast from Australia. Podcast sites in the US can be found at www.podarama.com-dj. To find more podcasting sites, just log on to the Internet and visit locations such as http://www.apodcasting.com/dir/HowToFindPodcastingSites to do a thorough search.

There are no rules or regulations to individual Podcasts and their content, until some specific situations apply. That includes Podcasts that are broadcast over regular radio waves on radio stations across the nation. Those Podcasts are regulated by Federal Communication Commission laws because they are geared toward the masses at large. That means that, for an individual who wants to become a Podcaster, the sky's the limit.

Copyright 2005 by D. L. Randolph. All rights reserved.

Looking for information about podcasting? Go to http://www.apodcasting.com. About Podcasting is a Podcast Information Directory and Resource Site which provides a consolidated listing of the best Podcasting sites in one easy to navigate location.

Article Source: http://EzineArticles.com/

For more articles relating to Techno Downloads, Electronic Music, DJing, Turntablism, and internet radio, check out the Articles page at www.dj5150.com.